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Nikon D6
  • You could be forgiven for thinking that DSLRs are dead in the water, what with the leading camera manufacturers throwing much of their development weight behind mirrorless – and those manufacturers include Nikon.
  • However, in September 2019, Nikon announced that the Nikon D6 was in development, just in time for the Olympic Games in 2020. Its predecessor, the D5, was announced all the way back in January 2016, but these kind of camera behemoths don’t tend to be as updated as frequently as cheaper and mid-range offerings.
  • 2019 marks the 20th anniversary of the Nikon single-digit D series, which launched in 1999 with the Nikon D1, and the company promises that the D6 will be “the most advanced digital SLR to date”.
  • At the moment, we don’t have any official specifications – just the knowledge that the camera is coming – but we can engage in a fair amount of speculation based on what we think is likely to appeal to professional photographers four years on from the D5.
Nikon D6: release date and price
  • We haven’t heard anything about an exact – or even rough – date, but given that the Olympics will be starting in Tokyo towards the end of July 2020, we’d expect the launch date to be a few months before that to give pros chance to get hold of, and get used to, the new model. An obvious candidate for a launch event would be the Japanese CP+ camera show, which takes place every year in February.
  • Although we know that there's a Nikon announcement coming before the end of 2019, it seems unlikely that we’ll see the D6 before the new year.
  • As for price, the Nikon D5 launched with a body-only price of £5,200 / $6,500, and we’d expect something similar for the D6 – it certainly won’t be loose change.
Nikon D6: sensor
  • Again, we have no concrete information on the D6’s sensor specifications, other than the fact that it'll be full-frame.
  • The D5 uses a 21.3 million-pixel CMOS sensor, and Nikon will surely go for a higher-resolution one. Rumors suggest the impending Sony A9 II will have a 36-megapixel sensor, and given that Nikon models often use Sony sensors, it would make sense for the D6 to also go down that route.
  • On the other hand, Nikon may feel that keeping the resolution on the low side will appeal to sports photographers rattling off lots of frames. News and sports photography rarely requires super-high resolutions, and having a higher-resolution sensor would make it more difficult – though not impossible – for frame rates to be boosted beyond the current 12fps which the D5 offers.
Nikon D6: video features
  • The Nikon D5 was the first Nikon DSLR to be capable of recording high-definition 4K/UHD movies in-camera, and we can expect the D6 to build on that – professional shooters are increasingly being asked to supply video content as well as stills.
  • Perhaps we’ll see 6K recording capability make its debut with the D6 – perfect for capturing those 100m finals – while we’ve also seen other manufacturers hint that 8K will be ready for the Olympics; if Nikon was to jump on board with that kind of technology in the D6, it’d be mighty interesting.
Nikon D6: design
  • Nikon was kind enough to supply a small picture of the impending D6 in its development announcement. It's presumably a mock-up, rather than a final rendering, and it looks pretty much exactly like the D5, but with a 6 in place of the 5 in the name.
  • It would come as no surprise to see Nikon keep to a very similar form factor as the D5's for the D6 – after all, expecting pros to get used to a drastically new way of working is a big task. The square shape of the D5 allows it to incorporate a battery grip for extended battery life, and we expect the D6 to blow its mirrorless rivals out of the water for longevity by doing the same thing.
  • Also announced as being in development at the same time as the D6 was a new 120-300mm f/2.8E FL ED SR VR telephoto lens, which looks set to be a bit of a beast – the Nikon D6 will have to be large enough to balance well with such lenses, which are popular with sports and wildlife shooters.
  • Nikon D6: mirrorless features?
  • Given the popularity of mirrorless models, it would make a lot of sense for Nikon to incorporate some of the features we’d more commonly associate with mirrorless cameras into the D6.
  • There is of course a limit to what those features might be, thanks to a pesky thing called physics, but there’s every possibility that we might see improved in-body image stabilization, plus a new silent shooting mode for those quiet moments (something which has proved incredibly useful and popular on the Sony A9).
  • We’d also expect to see an improved autofocus system on board. It’s not like the D5 was a slouch, but perhaps Nikon could bring over the on-sensor PDAF (phase detection autofocus system) from its Z-series cameras to enable better live-view autofocus.
Nikon D6: card slots and connectivity
  • Dual memory card slots are pretty much a given. The Nikon D5 can be bought with either 2x XQD slots, or 2x CF slots, but Compact Flash is pretty old hat now, so we’d expect the D5 to be equipped with slots for two CFExpress memory cards (which are the same size and shape as XQD cards), with backwards compatibility for those who already have a stack of XQD cards in their possession.
  • New dual Expeed processors will likely feature, and we may even finally see the appearance of Wi-Fi on a top-of-the-line pro DSLR. Nikon has previously claimed that it wasn’t possible to include Wi-Fi inside the thick, sturdy bodies of its professional-level cameras, but not having this feature would make a camera launched in 2020 feel extraordinarily outdated – hopefully Nikon can come up with a solution.

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OnePlus 7T
OnePlus 7t Brief Description
  • OnePlus is known for launching smartphones which disrupt the market. It has launched devices with top of the line specs which are available at affordable prices. OnePlus 7T is to launch in India on September 26. The smartphone will make its way to the US and European markets on October 10. OnePlus offers great value for money for consumers and has captured the premium smartphone segment in India.
  • OnePlus 7T Pro fresh renders have surfaced online to highlight some of its design changes over the existing OnePlus 7 Pro. The renders highlight the pop-up selfie camera module of the OnePlus 7T Pro alongside its rear camera setup. Separately, OnePlus through a tweet confirmed that the OnePlus 7T and OnePlus 7T Pro both will debut with a 90Hz Fluid Display. A benchmark listing supposedly of the OnePlus 7T has also been spotted on the Web with 8GB of RAM.
  • The fresh render, courtesy OnLeaks in a collaboration with iGeeksBlog, shows the design of the OnePlus 7T Pro. The smartphone appears with the pop-up selfie camera that enables the edge-to-edge display. Further, the handset is seen in a new Haze Blue colour option, similar to what we saw with the OnePlus 7T Pro design renders officially shared earlier this week.
  • At the back, the render highlights that the OnePlus 7T Pro has a Time-of-Flight (ToF) sensor alongside its triple rear camera setup. The back panel featured on the leaked render appears to have the same matte finish that we saw on the official render released earlier this week, which showed off the OnePlus 7T Pro design. A OnePlus 7T Pro McLaren Edition was also tipped in the recent past that could come with a textured rear panel.
Cut to the chase

  • What is it? The next OnePlus phone
  • When is it out? Likely to be announced on October 10
  • What will it cost? A lot - but less than most flagships
OnePlus 7T release date
  • The main release date rumor so far for the OnePlus 7T points to a September 26 announcement, but oddly only for India.
  • That will apparently be followed up by an October 10 announcement for the US and Europe, and an October 15 sale date (though the source doesn't specify whether that's a worldwide on-sale date or just for some regions). We've since heard those two October dates put forward again.
  • If that October 15 date sounds familiar it's because an earlier unclear tweet from the same source also pointed to October 15.
OnePlus 7t Price In India
  • OnePlus 7T Price In India is expected to start From Rs.19999.This Mobile Phones is available in 64GB variant(s).OnePlus 7T is available in Frosted Silver, Haze Blue colour(s) across various online stores in India.
Design
  • Leaked images of the upcoming device have revealed curved edges and a no-notch design which hints at a pop-up selfie camera similar to the OnePlus 7. The phone is rumoured to have a vertically-placed triple rear camera setup. The smartphone will come in Frosted Silver and Haze Blue colours. It is rumoured to have a 6.55-inch display with 1080 x 2340pixels resolution. The phone will come with Gorilla Glass protection.
Camera
  • The phone will have a popup selfie camera and a triple rear camera setup which will be able to click excellent images. The rear of the phone will also have a LED flash. OnePlus 7T is rumoured to have a 48MP primary camera with an f/1.6 aperture; a second 16MP camera with an f/2.2 aperture and a third 12MP camera with an f/2.2 aperture. It is expected to sport a 16MP front camera with an f/2.0 aperture.
Performance
  • The new OnePlus phone is rumoured to come with Qualcomm Snapdragon 855 Plus SoC. Couple with 8 GB of storage, the phone will be able to handle most tasks with ease. The device will run on Google’s latest Android OS 10 out of the box.
  • Connectivity options included in the device are Bluetooth, USB, Wi-Fi, 3G and 4G. It will come with an array of sensors including proximity sensor, accelerometer, light sensor and a fingerprint sensor for additional security.
Battery and Storage
  • The OnePlus 7T will come with a powerful 3800 mAh battery with fast charging technology. This will help keep the device juiced up for hours. It will have 64GB of internal storage which will give ample space for all your music, videos, etc.
  • OnePlus usually launches the T range of devices about six months after the launch of its flagship devices. However, this year, the company is launching the OnePlus 7T just 4 months after the launch of the OnePlus 7 series. This year, India will get the latest devices almost 15 days before they are launched in other global markets. OnePlus is a leader in the Indian smartphone market and with its range of affordable devices with premium features would continue to provide value for money to customers.

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Olympus OM-D E-M1X: Summary 
  • In a sense, it's a bigger, burlier, slightly more specialized version of the E-M1 Mark II. It's an OM-D camera tailormade primarily for sports, wildlife and other photographers use use long telephoto lenses. Sporting the same 20MP sensor as the E-M1 II, the overall image quality is very good, but mostly unchanged. However, improvements abound with regards to AF performance, especially with AF tracking. There's also more advanced video features. Yes it's big, and yes it's expensive, but the E-M1X offers high performance and improved operability while remaining true to the characteristic portability of a Micro Four Thirds system.

Olympus OM-D E-M1X: Specifications
  • Sensor: 20.4MP four thirds Live MOS
  • Image processor: 2x TruePic VIII
  • AF points: 121 cross-type on-chip phase detection
  • ISO range: Low to 25,600 (ISO200 base)
  • Max image size: 7,776 x 10,368
  • Metering modes: ESP, spot, centre weighted, highlight, shadow
  • Video: C4K at 24fps, 4K at 30fps, 1080p at 120fps
  • Viewfinder: EVF, 2.36m dots, 0.84x mag
  • Memory card: 2x UHS-II SD
  • LCD: 3-inch fully articulating touchscreen, 1037K dots
  • Max burst: 60fps
  • Connectivity: Wi-Fi, Bluetooth
  • Size: 144.4mm x 146.8mm x 75.4mm (body only)
  • Weight: 849g (body only; 997g with 2x batteries and 2x SD cards)


Video Features
  • 4K (UHD, 30fps) and C4K (CINE, 24fps) video recording
  • OM-Log400
  • Different levels of IS
  • 120fps high-speed shooting in FullHD
  • Stereo microphones built-in
  • Mic and Headphone sockets
  • CINE 4K video is recorded at 4096 x 2160, at 24fps, giving a wider aspect ratio than 4K UHD video. 4K UHD video is recorded at 30, 25, or 24fps. OM400-log is designed to give a flat image, so that detail in shadows and highlights can be retained. Sound quality is said to be improved thanks to a new pre-amp.
Resolution  
  • Resolution at ISO 200 measures 1890 LP/PH (97 percent of the theoretical maximum).
  • Almost the same as the 2016 Olympus OM-D E-M1 Mark ii: 1891 LP/PH (97 percent of the theoretical maximum) at ISO 200.
  • Resolution measurements in images captured by the M1X remain approximately the same at ISO s up to and including ISO 3200: 1859 LP/PH (96 percent) at ISO 400, 1880 LP/PH (97 percent) at ISO 800, 96 percent (representing 1863 LP/PH) at ISO 1600, and 1847 LP/PH (85 percent) at ISO 3200.
  • Higher ISO s do less well: 1722 LP/PH (89 percent of theoretical maximum) at ISO 6400, dropping to 1313 LP/PH (68 percent) at the top native ISO of 25600.

Texture Loss
  • Texture reproduction results show MTF50 of 1561 LP/PH with 15.1 percent artifacts (ISO 200) at high contrast. Low-contrast areas are reproduced nearly as well: 1541 LP/PH with 22.8 percent artifacts at ISO 200.
  • Better than the OM-D E-M1 Mark II, which produced images with MTF50 of 1064 LP/PH at ISO 200 in high-contrast areas (12.3 percent artifacts), and 915 LP/PH MTF50 in low contrast with 9.9 percent artifacts.
  • Images made at ISO 400 using the M1X show an MTF50 of 1508 LP/PH with 15.8 percent artifacts in high-contrast parts of the scene, and in low-contrast areas, MTF50 of 1373 LP/PH with 26.7 percent artifacts
  • ISO 800: 1479 LP/PH with 21.0 percent artifacts in high contrast; 1465 LP/PH with 26.7 percent artifacts in low contrast.
  • At ISO 3200, MTF50 in high contrast areas is 1383 LP/PH with 29.9 percent artifacts, with 1342 LP/PH with 40.6 percent artifacts at low contrast.
  • From ISO 6400 and above, texture reproduction becomes poorer, with, for example 1161 LP/PH at ISO 6400 in high-contrast scenes (35.9 percent artifacts), and 1168 LP/PH in low contrast (57.7 percent artifacts).
  • In the OM-D E-M1 Mark II, texture reproduction at ISO 6400 shows MTF50 of 492 LP/PH (7.4 percent artifacts) in areas of high contrast, and 397 LP/PH with 0 percent artifacts in low contrast.
  • The OM-D E-M1X is, quite clearly, the most advanced camera Olympus has produced to date, and the spec sheet shows it to be taking the fight to its competitors, which is just as well given how much stronger the combined threat from established systems and newer ones showing plenty of of promise now is.
  • Unlike almost all of its peers, the camera has a 20.4MP Live MOS Four Thirds sensor, which is significantly smaller than full-frame types and smaller still than APS-C ones. The focus on sports and action shooting means resolution clearly isn't the priority, although it will be interesting to see just how much longer the 20MP barrier for sensors of his kind remains.

Features 
  • The 20-megapixel OM-D E-M1X carries over many of the features of the E-M1 Mark II but adds the aforementioned built-in vertical battery grip with room for a pair of batteries (which are included).
  • Thanks to the grip, the E-M1X has a duplicated set of controls for shooting with the camera both horizontally and vertically, with the ability to lock certain controls in a given shooting position so you don’t accidentally trigger them.
  • The other notable enhancement is to image stabilization. The E-M1X can deliver a whopping 7.5 stops of image stabilization when paired with select Sync IS compatible lenses from Olympus. The company says that level of stabilization would deliver a crisp image with a 4-second shutter while shooting handheld (more on that below). Even without a Sync IS lens attached, the E-M1X can deliver 7 stops of shake correction.
  • The AF system has also been revamped with an AI algorithm that enables superior recognition of objects, including trains, cars and airplanes. When shooting things like motorcycles, the camera will automatically focus on where it believes the driver’s head should be. The AF system is powered by a pair of TruPic VIII processors. The E-M1X features 121 all cross-type phase-detect AF points that are accessible at any aperture.
  • The E-M1X carries over the E-M1’s blistering burst mode of 18 fps with AF tracking and a 60fps “Pro Shot” mode that can snap up to 35 images to buffer memory with a half-press of the shutter button. You’re also able to capture images at 10 fps in flicker-free mode with a mechanical shutter when shooting under fluorescent lights.
  • On the video front, the E-M1X can record cinema 4K/30p video or full HD at 120 fps. There’s an OM-Log400 profile for capturing a flatter file with more dynamic range. Also new is a Live ND mode for slow shutter shooting without an actual filter. The effect can be set at five levels and previewed through the display.
  • Like Olympus’s Tough cameras, the E-M1X is packed with several sensors including GPS, temperature, manometer and compass for adding more detailed metadata to your photos.
Design
  • Olympus claims the E-M1X is smaller and lighter than a full-frame DSLR with battery grip—it’s certainly much lighter than a Nikon D5 and Canon’s EOS-1D X Mark II. It is, however, larger and heftier than both the Sony a7R III and a9 with their grips attached. Still, given its comfortable and robustly weather-sealed construction, it’s not a burden to carry about.
  • Every button on the camera is re-assignable for a completely customizable exterior. We love that.
  • The camera’s viewfinder now offers a .83x magnification and a refresh rate of 120 fps—it’s crisp and easy to view, with minimal blackout even when shooting at high frame rates. You can also frame your scene through a 3-inch vari-angle touch display. Touch is not implemented throughout the entire camera menu, but it is enabled for a multitude of functions including AF area selection and size, magnification on playback, shutter release and more.
  • Aside from room for a second battery, the large E-M1X body has a pair of SD card slots and a USB-C port for in-camera battery charging and speedy image transfers.


Screen and Viewfinder 

  • The E-M1X has a fully articulating touchscreen, making it useful for composing from virtually any angle you can think of.
  • You can use it to set various functions including the autofocus point, as well as the options in the quick menu. The number of buttons on the camera makes it ideal for a button-and-screen combo attack when changing settings – or, if you prefer, you could ignore the touch functionality altogether.

High Res Shot Mode
  • Olympus has also improved its High Res Shot mode for the OM-D E-M1X. There’s now an 80Mp Tripod mode and a 50Mp Handheld High Res Shot mode. The latter uses the natural camera shake to supply the sensor movement and creates a composite from 16 images.
  • The in-camera Focus Stacking mode has been improved by enabling the composite to be made from between 3 and 15 images. In addition, the crop which results from the change in the focus distance is shown in the viewfinder before you take the first shot.

Image Stabiliser
  • Olympus’s 5-axis Image Stabiliser (IS) is the best around. It’s enabled me to use exposures of 2 or 3 seconds when hand-holding the OM-D E-M1 II with a wide-angle lens. However, the OM-D E-M1X has a new gyro sensor and this has improved the IS performance. Olympus claims it gives 7.5EV shutter speed compensation with the M.Zuiko Digital ED 12-100mm F4.0 IS PRO at a focal length of 100mm (35mm equivalent: 200mm). That’s the highest figure we’ve seen to date.
  • Helpfully, the IS also works in video mode and you can also adjust the level of stabilisation that’s applied.


Video
  • Like the OM-D E-M1 II, the E-M1X is capable of shooting Cinema 4K (4096 x 2160) video. However, it also has OM-Log400 mode that results in flatter footage that has more scope for grading.
  • In addition, Full HD footage can be shot at up to 120fps (frames per second) for slow-motion playback.
  • And as I mentioned earlier, the 5-axis IS is available, along with electronic stabilization to help produce smoother movies.
  • Shooting C4K video, or continuous still at high frame rates can generate a lot of heat. To help deal with that, Olympus has built-in a heat pipe to conduct heat away from the sensor and ensure reliability.



Connectivity and Power
  • The E-M1X has the standard cocktail of Bluetooth, NFC, and Wi-Fi communication options. It works with the Olympus Image Share app (for Android and iOS devices) to transfer photos to your smart device and for remote control. This is all old hat for Olympus at this point, and we don't have any bad things to say about the Wi-Fi system. You'll have to go through an initial setup process, but once settings are locked in on the phone and camera side, it's a simple matter to start a wireless transfer.
  • The camera doesn't have an Ethernet port. It's not something you find on a lot of models, but is expected in one marketed to pro sports shooters. Photographers working the sidelines with the Canon 1D X Mark II, Nikon D5, or Sony a9 can jack into a network and instantly transfer photos back to an editor, who gets the best shots posted before halftime. Olympus may be going after the pro market with the E-M1X, but it's not going after pros who need that level of functionality.
  • The camera does have GPS, along with a barometer, compass, and temperature sensor. If you want more data about the conditions in which you captured a photo, the E-M1X has you covered. The GPS offers the most obvious benefit—geotagging your images. I don't have a lot of use for the other sensors, but you might.
  • The camera has a hot shoe and a PC Sync socket to communicate with external lighting equipment. It also sports a 2.5mm remote jack, 3.5mm headphone and microphone connections, mini HDMI, and USB-C.


Autofocus System 

  • I've only had access to beta firmware to this point, so I can't speak to the performance of the final product. But I can talk about what the E-M1X is capable of on paper. Its autofocus system is improved versus the E-M1 Mark II, but not dramatically so. Instead of adding focus points or improving burst speed, Olympus has concentrated on improvements in regard to subject recognition.
  • So the top speed, for tracking, is still 10fps using the mechanical shutter and 18fps using the electronic shutter. You can push the camera to 15fps and 60fps, respectively, but focus is locked during the sequence. You can enjoy Raw capture, even at 60fps, although only for very short duration's.
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Camera Body and Design

  • If you've held a Sony Alpha camera, you probably have noticed that they tend to follow a very similar design path. Even when they are different, like the subtle body changes to the A9, the general aesthetic is the same. Holding the A7 III feels exactly like holding the A7R III...because they are exactly the same. From a body design perspective, it is impossible to visually tell the A7R III and the A7 III apart aside from the model number on the front and back of the camera.
  • If you're new to the body and want to compare it to the A7 II, the biggest and most noticeable difference is on the back of the camera, where Sony removed the AF/MF and AEL switch and changed it to a joystick/toggle. This same change was made on the A7R III and allows you to more easily navigate a menu or adjust focus points while shooting. Though the A7 III has a touchscreen and the control wheel on the back of the camera are useful for most of the things you might find yourself needing the joystick for, it's still an addition that many customers asked for and therefore Sony delivered.
  • Other changes include moving a few of the custom function buttons around and relocating the video record button, which used to be up near the shutter button, to the rear of the camera to the right of the EVF.
  • Speaking of the EVF, the A7 III features a high-resolution, high-contrast, fast-start XGA OLED Tru-Finder with approximately 2.3 million dots for extremely accurate, true-to-life detail reproduction. Standard or High display quality settings are available for both the viewfinder and monitor as well. The Mark III's EVF is also noticeably larger than the Mark II's, with a magnification of 0.78x versus 0.71x.
  • The new camera also features what Sony is calling 'My Menu' functionality, which allows up to 30 menu items to be registered for instant recall when needed. You can also apply star ratings to your still images through the camera controls for easier image playback and review, and edit the first three characters of all still image files. Additionally, there is a total of 81 functions that are assignable to 11 custom buttons, and the camera is both dust and moisture resistant.

The A7 III and its 24.2 megapixel sensor

  • Opting for a smaller and more manageable 24.2-megapixel sensor, the A7 III is equipped with a back-illuminated Exmor R CMOS image sensor that is paired with a front-end LSI that Sony says effectively doubles the readout speed of the image sensor, as well as an updated BIONZ X processing-engine that boosts processing speed by approximately 1.8 times compared to the A7 II.
  • These components work together to allow the camera to shoot at faster speeds while also enabling its impressive ISO range of 100 - 51,200 (expandable to ISO 50 - 204,800 for still images) and an overall 1.5 stop improvement in image quality over the A7 II. The camera also features the same ~15 stops of dynamic range at low sensitivity settings found on the A7R III, that Sony says ensures outstanding overall performance at all settings and in all shooting conditions, with significant advancements in accurate color reproductions of skin tones and the vibrant natural colors.
  • The A7 III can also output 14 bit RAW format even in silent and continuous shooting modes, and is equipped with a 5-axis optical image stabilization system that results in a 5.0-stop shutter speed advantage.

Bringing A9-like autofocus performance to the table

The A7 III features a level of AF performance that borrows much from the success of the A9 and A7R III, and has been greatly improved over that in the A7 II. The camera has 425 contrast AF points that work with a 693-point focal-plane phase-detection AF system inherited from the aforementioned A9. This innovative AF system covers approximately 93% of the frame, ensuring reliable focusing and tracking for even the most difficult to capture subjects.
AF response and tracking has also been greatly improved in the new camera, with almost twice the focusing speed in low-light conditions and twice the tracking speed compared to the previous model as a result of the faster image sensor readout. This allows complex and unpredictable motion to be captured with far greater precision and accuracy.
Sony has also added their Eye AF feature to the A7 III, which works even in AF-C mode. Eye AF is a very useful feature that allows you to lock on and track a subject's eye while they are in motion and even through obstructions. Other additional improvements in focusing flexibility include using the aforementioned joystick for moving focusing points quickly, the addition of touch focusing capability, AF availability in Focus Magnifier mode, and an "AF On" button.

Fast to shoot and with an impressive buffer
The new A7 III is equipped with an updated image processing system that allows it to shoot full resolution images at up to 10 fps with continuous, accurate AF/AE tracking for up to 177 Standard JPEGs, 172 Fine JPEGs, 163 Extra Fine JPEGs, 89 compressed RAW images or 40 uncompressed RAW images, according to Sony. (Unfortunately, there's still no lossless compressed RAW format.) This high speed mode is available with either a mechanical shutter or a completely silent shooting, a feature we saw first in the A9 and has been brought to the A7R III and now the A7 III. The camera can also shoot continuously at up to 8 fps in "live view" mode with minimal lag in the viewfinder or LCD screen.
Sony listened to customer feedback, and allows you to access many of the features of the A7 III even while it is writing large groups of burst images. You can access the "Fn" (Function) and "Menu" buttons, image playback and several other menus and parameters including image rating and other sorting functions. Sony also added an on-screen prompt to show you how many images remain to be written.
Additionally, if there is fluorescent or artificial lighting present in a shooting environment, users can activate the Anti-flicker function to allow the A7 III to automatically detect frequency of the lighting and time the shutter to minimize its effect on images being captured. This minimizes any exposure or color anomalies that can sometimes occur during burst shooting and/or at the top and bottom of images shot at high shutter speeds.
Full frame, high quality 4K video
  • The A7 III brings many of the video features found in the A7R III to the table, including 4K UHD (3840 x 2160 pixels) video recording across the full width of the full-frame image sensor, using a full pixel readout without pixel binning to collect about 2.4 times the amount of data required for 4K movies, oversampling it to produce high quality 4K footage.
  • An HLG (Hybrid Log-Gamma) picture profile is available on the A7 III as well, which supports an Instant HDR workflow, allowing HDR (HLG) compatible TV's to playback 4K HDR imagery.
  • Further, both S-Log2 and S-Log3 are available for increased color grading flexibility, as well as Zebra functionality, Gamma Display assist and proxy recording. The camera can also record Full HD at 120 fps at up to 100 Mbps, allowing footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD resolution with AF tracking.
Upgraded storage options, connectivity & battery life
  • Sony's newest full-frame camera is equipped with a variety of enhanced capabilities that were first implemented in the A9 and then again in the A7R III. These include dual media slots, with support in one slot for UHS-II type SD memory cards (the second slot supports UHS-I SD or Memory Stick PRO Duo cards, and in cases of dual writing, top write speeds are limited to the slowest card). You also have a variety of options for storing content in each of the cards, including separate JPEG / RAW recording, separate still image / movie recording, relay recording and more.
  • The A7 III is also is capable of seamlessly transferring files to a smartphone, tablet, computer or FTP server via Wi-Fi (with NFC) and now includes Bluetooth, while also offering a SuperSpeed USB (USB 3.1 Gen 1) USB Type-C terminal for increased flexibility in power supply and faster image transfer speed during tethered shooting. The camera still has a Multi Micro-B USB 2.0 port, Micro HDMI (Type D) port, 3.5mm stereo microphone jack (with power), 3.5mm stereo headphone jack, Multi Interface Hot Shoe, and an IR remote receiver.
  • Battery life has been greatly extended as well -- with a CIPA rating of up to 710 shots per charge when using the LCD monitor or 610 shots using the EVF, the A7 Mark III offers the world's longest battery life of any mirrorless camera (without a battery grip). The new camera utilizes Sony's Z-series NP-FZ100 battery pack that has approximately 2.2 times the capacity of the W-series NP-FW50 battery utilized in the A7 II. This is the same battery that brought excellent battery life to both the A9 and A7R III. In-camera charging is supported and an AC/USB adapter is provided, but a dedicated battery charger is not included.
Sony A7 III Pricing and Availability
The Sony A7 III began shipping in April 2018 for about $2,000 USD for the body and $2,200 in a kit with the FE 28-70mm f/3.5-5.6 OSS lens. In Canada, list price is $2,600 CAD for the body and $2,800 for the kit. 
Sony A7 Mark III Key Features:
  • Newly developed back-illuminated 24.2MP full-frame Exmor R CMOS sensor to capture even the finest detail in most conditions
  • Approx. 15-stops of dynamic range to showcase subtle graduations from shadows to highlights
  • Impressive ISO range of 100-51,200 which is expandable to 50-204,800, allowing for noise-free low-light capture
  • 14-bit RAW capture even in silent and continuous shooting modes
  • 5-axis 5-step in-body image stabilisation, making it possible for users to shoot handheld at lower shutter speeds, while also providing smoother video capture
  • 4D Focus – The A7 Mark III Features a massive 693 phase-detection, and 425 contrast detection AF points
  • With implementation of focal-plane phase-detection technology, the camera's autofocus system is approximately twice as fast as in previous models
  • Like the flagship A9, the camera features enhanced AF tracking, allowing for precise focus results when shooting video, or in continuous/burst modes with moving subjects
  • Utilise the touch screen to find focus in a shot thanks to the A7 Mark III's Touch Focus and Touch Pad functions. Either tap on the rear screen to find your focus, or intuitively drag the focus frame across the shot while using the viewfinder
  • Shoot in a continuous burst at up to 10 frames per second with AF/AE tracking, or up to 8 frames per second burst shooting when in Live View mode
  • Capture stunning 4K High Dynamic Range video (without pixel binning) and make the most of the new Hybrid Log Gamma profile for extra flexibility in post-production
  • Unlike the previous A7 model, the Mark III uses the high-capacity NP-FZ100 battery, allowing users to shoot up to 710 images on one charge.
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Product description

  • The Nikon Z 6 is the company's midrange full-frame mirrorless camera. It features a 24.5MP BSI-CMOS sensor, a hybrid AF system with 273 points and 90% coverage and 5-axis in-body image stabilization. The rugged body is similar in design to the D750/D850 DSLRs and is fully sealed against dust and moisture. It features a 3.68M-dot electronic viewfinder and tilting 3.2", 2.1M-dot touchscreen LCD. An OLED panel on the top plate displays current shooting settings. Photos are stored on an XQD card.
  • The Z 6 can shoot continuously at 12 fps with AE locked and 5.5 fps with continuous AF/AE. It can capture oversampled 4K video for maximum resolution. You can use the same features for videos as you can for stills, including 5-axis IS and the hybrid AF system (with 435 points here). The Z 6 supports focus peaking, zebra patterns, time code and 10-bit Log output over HDMI. The camera can record 8-bit video internally and externally at the same time.
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Nikon Z6: features

  • 24.5MP full-frame CMOS sensor
  • All-new lens mount
  • 5-axis in-body image stabilization
  • As we've just touched on, while the Z7 has a 45.7MP resolution the Nikon Z6 features a back-illuminated 24.5MP full-frame sensor, which, while not offering quite the staggering resolving power of its sibling, delivers a pixel count that should satisfy most users. It also means the native ISO range is that bit broader, running from ISO100 to 51,200 (the Z7's native ISO range is 64-25,600); this can be expanded to 50-204,800, matching the Alpha A7 III.  
  • Like the Z7, the Z6 features Nikon's new Z lens mount, with Nikon having dropped its long-established F mount for its new full-frame mirrorless cameras. The mount opening is 11mm wider than the F mount at 55mm, while the flange focal distance (the distance between the rear lens element and the sensor) is a very short 16mm.
  • Nikon believes the larger design and short flange distance will enable its lens engineers to design optics that surpass current F mount designs and make the most of the full-frame sensor, allowing light to easily reach the extreme corners of the sensor to ensure even brightness across the frame. 
  • Launching with the Z6 and Z7 are the first three lenses in Nikon's new S-Line range: a 24-70mm f/4 standard zoom, a 35mm f/1.8 wide-angle prime and a 50mm f/1.8 standard prime. The new mount diameter also allows for lenses with maximum apertures as fast as f/0.95, with a high-end manual-focus 58mm f/0.95 S Noct prime lens expected next year.
  • For existing Nikon DSLR users who are looking to make the switch to the new mirrorless cameras, or who want to shoot with one alongside their current Nikon DSLR kit, there's a new FTZ mount adapter that will be compatible with approximately 360 Nikon lenses, 90 of which which will support the Z6's full AF speed.


Nikon Z System

Introducing the Z mount, Nikon's full-frame mirrorless system promises to deliver class-leading image quality and optics in a compact form factor. The Z mount itself makes much of this possible with a 17% larger inner diameter than the F mount, enabling the use of more advanced optics and lens designs, including ultra-fast f/0.95 options. For minimizing camera and lens size, the Z mount features a 65% shorter flange distance, measuring just 16mm, which allows for dramatically slimmed down body designs. The larger mount also supports faster and larger-volume communications between the body and lens to improve overall performance throughout the system.
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24.5MP FX-Format BSI CMOS Sensor and EXPEED 6 Processor

A 24.5MP BSI CMOS sensor is used for all-around shooting, impressive low-light quality, and fast readout speeds to benefit continuous shooting, movies, and time-lapse recording. The back-illuminated design of the sensor affords noticeably cleaner high-sensitivity output for reduced noise when working at high ISO values, up to a native ISO 51200, as well as vivid and smooth quality at sensitivities as low as ISO 100. Benefitting the sensor is the apt EXPEED 6 image processor, which affords a wealth of speed throughout the camera system, including the ability to shoot continuously at 12 fps in raw.

4K UHD Video Recording

  • Utilizing the sensor and processor attributes for more than just still imagery, the Z 6 is also a more-than-capable multimedia camera. Video recording is possible at UHD 4K (3840 x 2160) using either the full-frame area or a DX crop area in 30p, 25, or 24p frame rates. Full HD 1080p video recording is also supported at up to 120p for slow motion playback, and video files can be saved to the in-camera memory cards or as an uncompressed file to an optional external recorder via HDMI out.
  • Advanced video functionalities have been added with the Z 6. This includes the N-Log gamma for capturing flat-looking footage that maximizes dynamic range. Other additions are the ability to output high-quality 10-bit data over HDMI and an Electronic VR function for smooth handheld shooting. Focus Peaking can be used to benefit manual focus control and a Zebra Stripes option is also available to help detect over-exposed areas within the frame. Audio recording can be handled using the built-in stereo microphone or an optional external mic can be added via the 3.5mm stereo jack for greater control over quality, and live monitoring is possible via the headphone jack.

273-Point Phase-Detect AF System

  • Located on the sensor is an array of 273 phase-detect autofocus points covering 90% of the image area both vertically and horizontally. This provides fast and accurate focusing for both stills and video and with a wide coverage area, subject tracking will work out to near the edges of the frame. Hybrid AF is available for video, which will automatically switch between phase- and contrast-detect systems to provide smooth focus during shooting. Additionally, the latest NIKKOR Z lenses are optimized for silent operation.

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Body Design

  • Built-in to the body is a 5-axis sensor-shift Vibration Reduction mechanism for up to 5 stops of stabilization regardless of the lens used. This system also works with adapted lenses when using the optional FTZ Adapter where 3-axis stabilization is used.
  • A large 3.2" 2.1m-dot LCD screen is available for bright, clear, and vivid image playback and live view shooting. The screen has a tilting design to benefit working from both high and low angles, and it is also a touchscreen for more intuitive operation, navigation, and settings control.
  • A 3.6m-dot electronic finder is present for comfortable eye-level viewing. It has a high 0.80x magnification and uses NIKKOR optics to guarantee a sharp, clear image. The finder also has a Fluorine coating for easier cleaning.
  • The top panel of the Z 6 is configured with a dot-matrix OLED. This low-energy display provides quick access to important camera settings.
  • Configured with one XQD memory card slot, the camera will be able to quickly save images. The slot is compatible with CFexpress, enabling support for future media.
  • A robust magnesium-alloy chassis is both dust- and weather-resistant to benefit working in harsh climates and inclement conditions.
  • The ergonomic grip and overall form factor is shaped to benefit handling for extended periods of time and is further accentuated by an anti-slip material and a joystick for seamless settings and focus point selection.
  • Built-in SnapBridge connectivity to enable seamless transfer of low-resolution imagery as well as remote shooting capabilities. BLE (Bluetooth Low Energy) and Wi-Fi enables communication between the camera and a smart device and, additionally, the mobile device can remotely trigger the shutter and display a live view image from the camera to enable working from a distance.
  • Included EN-EL15b rechargeable lithium-ion battery provides approximately 310 shots per charge, and in-camera charging is supported. This camera is also compatible with EN-EL15 and EN-EL15a batteries, however do not support in-camera charging.

Specifications

  • Sensor: 24.5MP full frame back-illuminated CMOS, 35.9 x 23.9mm
  • Image processor: EXPEED 6
  • AF points: 273-point phase detection AF, 90% coverage horizontal and vertical
  • ISO range: 100 to 51,200 (exp. 50-204,800)
  • Max image size: 6,048 x 4,024px
  • Metering zones: N/A
  • Video: 3,840 x 2,160 at 30p, 25p, 24p
  • Viewfinder: EVF, 3,690k dots OLED, 100% coverage, 0.8x magnification
  • Memory card: XQD
  • LCD: 3.2-inch tilting touchscreen, 2,100k dots
  • Max burst: 12fps (focus locked on first frame)
  • Connectivity: Bluetooth, Wi-Fi
  • Size: 134 x 100.5 x 67.5mm (body only)
  • Weight: 675g (body only, with battery and memory card)
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