• In a sense, it's a bigger, burlier, slightly more specialized version of the E-M1 Mark II. It's an OM-D camera tailormade primarily for sports, wildlife and other photographers use use long telephoto lenses. Sporting the same 20MP sensor as the E-M1 II, the overall image quality is very good, but mostly unchanged. However, improvements abound with regards to AF performance, especially with AF tracking. There's also more advanced video features. Yes it's big, and yes it's expensive, but the E-M1X offers high performance and improved operability while remaining true to the characteristic portability of a Micro Four Thirds system.

• Sensor: 20.4MP four thirds Live MOS
• Image processor: 2x TruePic VIII
• AF points: 121 cross-type on-chip phase detection
• ISO range: Low to 25,600 (ISO200 base)
• Max image size: 7,776 x 10,368
• Metering modes: ESP, spot, centre weighted, highlight, shadow
• Video: C4K at 24fps, 4K at 30fps, 1080p at 120fps
• Viewfinder: EVF, 2.36m dots, 0.84x mag
• Memory card: 2x UHS-II SD
• LCD: 3-inch fully articulating touchscreen, 1037K dots
• Max burst: 60fps
• Connectivity: Wi-Fi, Bluetooth
• Size: 144.4mm x 146.8mm x 75.4mm (body only)
• Weight: 849g (body only; 997g with 2x batteries and 2x SD cards)

Video Features

• 4K (UHD, 30fps) and C4K (CINE, 24fps) video recording
• OM-Log400
• Different levels of IS
• 120fps high-speed shooting in FullHD
• Stereo microphones built-in
• Mic and Headphone sockets
• CINE 4K video is recorded at 4096 x 2160, at 24fps, giving a wider aspect ratio than 4K UHD video. 4K UHD video is recorded at 30, 25, or 24fps. OM400-log is designed to give a flat image, so that detail in shadows and highlights can be retained. Sound quality is said to be improved thanks to a new pre-amp.

Resolution  

• Resolution at ISO 200 measures 1890 LP/PH (97 percent of the theoretical maximum).
• Almost the same as the 2016 Olympus OM-D E-M1 Mark ii: 1891 LP/PH (97 percent of the theoretical maximum) at ISO 200.
• Resolution measurements in images captured by the M1X remain approximately the same at ISO s up to and including ISO 3200: 1859 LP/PH (96 percent) at ISO 400, 1880 LP/PH (97 percent) at ISO 800, 96 percent (representing 1863 LP/PH) at ISO 1600, and 1847 LP/PH (85 percent) at ISO 3200.
• Higher ISO s do less well: 1722 LP/PH (89 percent of theoretical maximum) at ISO 6400, dropping to 1313 LP/PH (68 percent) at the top native ISO of 25600.

Texture Loss

• Texture reproduction results show MTF50 of 1561 LP/PH with 15.1 percent artifacts (ISO 200) at high contrast. Low-contrast areas are reproduced nearly as well: 1541 LP/PH with 22.8 percent artifacts at ISO 200.
• Better than the OM-D E-M1 Mark II, which produced images with MTF50 of 1064 LP/PH at ISO 200 in high-contrast areas (12.3 percent artifacts), and 915 LP/PH MTF50 in low contrast with 9.9 percent artifacts.
• Images made at ISO 400 using the M1X show an MTF50 of 1508 LP/PH with 15.8 percent artifacts in high-contrast parts of the scene, and in low-contrast areas, MTF50 of 1373 LP/PH with 26.7 percent artifacts
• ISO 800: 1479 LP/PH with 21.0 percent artifacts in high contrast; 1465 LP/PH with 26.7 percent artifacts in low contrast.
• At ISO 3200, MTF50 in high contrast areas is 1383 LP/PH with 29.9 percent artifacts, with 1342 LP/PH with 40.6 percent artifacts at low contrast.
• From ISO 6400 and above, texture reproduction becomes poorer, with, for example 1161 LP/PH at ISO 6400 in high-contrast scenes (35.9 percent artifacts), and 1168 LP/PH in low contrast (57.7 percent artifacts).
• In the OM-D E-M1 Mark II, texture reproduction at ISO 6400 shows MTF50 of 492 LP/PH (7.4 percent artifacts) in areas of high contrast, and 397 LP/PH with 0 percent artifacts in low contrast.
• The OM-D E-M1X is, quite clearly, the most advanced camera Olympus has produced to date, and the spec sheet shows it to be taking the fight to its competitors, which is just as well given how much stronger the combined threat from established systems and newer ones showing plenty of of promise now is.
• Unlike almost all of its peers, the camera has a 20.4MP Live MOS Four Thirds sensor, which is significantly smaller than full-frame types and smaller still than APS-C ones. The focus on sports and action shooting means resolution clearly isn't the priority, although it will be interesting to see just how much longer the 20MP barrier for sensors of his kind remains.

• The 20-megapixel OM-D E-M1X carries over many of the features of the E-M1 Mark II but adds the aforementioned built-in vertical battery grip with room for a pair of batteries (which are included).
• Thanks to the grip, the E-M1X has a duplicated set of controls for shooting with the camera both horizontally and vertically, with the ability to lock certain controls in a given shooting position so you don’t accidentally trigger them.
• The other notable enhancement is to image stabilization. The E-M1X can deliver a whopping 7.5 stops of image stabilization when paired with select Sync IS compatible lenses from Olympus. The company says that level of stabilization would deliver a crisp image with a 4-second shutter while shooting handheld (more on that below). Even without a Sync IS lens attached, the E-M1X can deliver 7 stops of shake correction.
• The AF system has also been revamped with an AI algorithm that enables superior recognition of objects, including trains, cars and airplanes. When shooting things like motorcycles, the camera will automatically focus on where it believes the driver’s head should be. The AF system is powered by a pair of TruPic VIII processors. The E-M1X features 121 all cross-type phase-detect AF points that are accessible at any aperture.
• The E-M1X carries over the E-M1’s blistering burst mode of 18 fps with AF tracking and a 60fps “Pro Shot” mode that can snap up to 35 images to buffer memory with a half-press of the shutter button. You’re also able to capture images at 10 fps in flicker-free mode with a mechanical shutter when shooting under fluorescent lights.
• On the video front, the E-M1X can record cinema 4K/30p video or full HD at 120 fps. There’s an OM-Log400 profile for capturing a flatter file with more dynamic range. Also new is a Live ND mode for slow shutter shooting without an actual filter. The effect can be set at five levels and previewed through the display.
• Like Olympus’s Tough cameras, the E-M1X is packed with several sensors including GPS, temperature, manometer and compass for adding more detailed metadata to your photos.

Design

• Olympus claims the E-M1X is smaller and lighter than a full-frame DSLR with battery grip—it’s certainly much lighter than a Nikon D5 and Canon’s EOS-1D X Mark II. It is, however, larger and heftier than both the Sony a7R III and a9 with their grips attached. Still, given its comfortable and robustly weather-sealed construction, it’s not a burden to carry about.
• Every button on the camera is re-assignable for a completely customizable exterior. We love that.
• The camera’s viewfinder now offers a .83x magnification and a refresh rate of 120 fps—it’s crisp and easy to view, with minimal blackout even when shooting at high frame rates. You can also frame your scene through a 3-inch vari-angle touch display. Touch is not implemented throughout the entire camera menu, but it is enabled for a multitude of functions including AF area selection and size, magnification on playback, shutter release and more.
• Aside from room for a second battery, the large E-M1X body has a pair of SD card slots and a USB-C port for in-camera battery charging and speedy image transfers.

Screen and Viewfinder 

• The E-M1X has a fully articulating touchscreen, making it useful for composing from virtually any angle you can think of.
• You can use it to set various functions including the autofocus point, as well as the options in the quick menu. The number of buttons on the camera makes it ideal for a button-and-screen combo attack when changing settings – or, if you prefer, you could ignore the touch functionality altogether.

High Res Shot Mode

• Olympus has also improved its High Res Shot mode for the OM-D E-M1X. There’s now an 80Mp Tripod mode and a 50Mp Handheld High Res Shot mode. The latter uses the natural camera shake to supply the sensor movement and creates a composite from 16 images.
• The in-camera Focus Stacking mode has been improved by enabling the composite to be made from between 3 and 15 images. In addition, the crop which results from the change in the focus distance is shown in the viewfinder before you take the first shot.

Image Stabiliser

• Olympus’s 5-axis Image Stabiliser (IS) is the best around. It’s enabled me to use exposures of 2 or 3 seconds when hand-holding the OM-D E-M1 II with a wide-angle lens. However, the OM-D E-M1X has a new gyro sensor and this has improved the IS performance. Olympus claims it gives 7.5EV shutter speed compensation with the M.Zuiko Digital ED 12-100mm F4.0 IS PRO at a focal length of 100mm (35mm equivalent: 200mm). That’s the highest figure we’ve seen to date.
• Helpfully, the IS also works in video mode and you can also adjust the level of stabilisation that’s applied.

• Like the OM-D E-M1 II, the E-M1X is capable of shooting Cinema 4K (4096 x 2160) video. However, it also has OM-Log400 mode that results in flatter footage that has more scope for grading.
• In addition, Full HD footage can be shot at up to 120fps (frames per second) for slow-motion playback.
• And as I mentioned earlier, the 5-axis IS is available, along with electronic stabilization to help produce smoother movies.
• Shooting C4K video, or continuous still at high frame rates can generate a lot of heat. To help deal with that, Olympus has built-in a heat pipe to conduct heat away from the sensor and ensure reliability.

Connectivity and Power

• The E-M1X has the standard cocktail of Bluetooth, NFC, and Wi-Fi communication options. It works with the Olympus Image Share app (for Android and iOS devices) to transfer photos to your smart device and for remote control. This is all old hat for Olympus at this point, and we don't have any bad things to say about the Wi-Fi system. You'll have to go through an initial setup process, but once settings are locked in on the phone and camera side, it's a simple matter to start a wireless transfer.
• The camera doesn't have an Ethernet port. It's not something you find on a lot of models, but is expected in one marketed to pro sports shooters. Photographers working the sidelines with the Canon 1D X Mark II, Nikon D5, or Sony a9 can jack into a network and instantly transfer photos back to an editor, who gets the best shots posted before halftime. Olympus may be going after the pro market with the E-M1X, but it's not going after pros who need that level of functionality.
• The camera does have GPS, along with a barometer, compass, and temperature sensor. If you want more data about the conditions in which you captured a photo, the E-M1X has you covered. The GPS offers the most obvious benefit—geotagging your images. I don't have a lot of use for the other sensors, but you might.
• The camera has a hot shoe and a PC Sync socket to communicate with external lighting equipment. It also sports a 2.5mm remote jack, 3.5mm headphone and microphone connections, mini HDMI, and USB-C.

Autofocus System 

• I've only had access to beta firmware to this point, so I can't speak to the performance of the final product. But I can talk about what the E-M1X is capable of on paper. Its autofocus system is improved versus the E-M1 Mark II, but not dramatically so. Instead of adding focus points or improving burst speed, Olympus has concentrated on improvements in regard to subject recognition.
• So the top speed, for tracking, is still 10fps using the mechanical shutter and 18fps using the electronic shutter. You can push the camera to 15fps and 60fps, respectively, but focus is locked during the sequence. You can enjoy Raw capture, even at 60fps, although only for very short duration's.

Camera Body and Design

• If you've held a Sony Alpha camera, you probably have noticed that they tend to follow a very similar design path. Even when they are different, like the subtle body changes to the A9, the general aesthetic is the same. Holding the A7 III feels exactly like holding the A7R III...because they are exactly the same. From a body design perspective, it is impossible to visually tell the A7R III and the A7 III apart aside from the model number on the front and back of the camera.
• If you're new to the body and want to compare it to the A7 II, the biggest and most noticeable difference is on the back of the camera, where Sony removed the AF/MF and AEL switch and changed it to a joystick/toggle. This same change was made on the A7R III and allows you to more easily navigate a menu or adjust focus points while shooting. Though the A7 III has a touchscreen and the control wheel on the back of the camera are useful for most of the things you might find yourself needing the joystick for, it's still an addition that many customers asked for and therefore Sony delivered.

• Other changes include moving a few of the custom function buttons around and relocating the video record button, which used to be up near the shutter button, to the rear of the camera to the right of the EVF.
• Speaking of the EVF, the A7 III features a high-resolution, high-contrast, fast-start XGA OLED Tru-Finder with approximately 2.3 million dots for extremely accurate, true-to-life detail reproduction. Standard or High display quality settings are available for both the viewfinder and monitor as well. The Mark III's EVF is also noticeably larger than the Mark II's, with a magnification of 0.78x versus 0.71x.
• The new camera also features what Sony is calling 'My Menu' functionality, which allows up to 30 menu items to be registered for instant recall when needed. You can also apply star ratings to your still images through the camera controls for easier image playback and review, and edit the first three characters of all still image files. Additionally, there is a total of 81 functions that are assignable to 11 custom buttons, and the camera is both dust and moisture resistant.

The A7 III and its 24.2 megapixel sensor

• Opting for a smaller and more manageable 24.2-megapixel sensor, the A7 III is equipped with a back-illuminated Exmor R CMOS image sensor that is paired with a front-end LSI that Sony says effectively doubles the readout speed of the image sensor, as well as an updated BIONZ X processing-engine that boosts processing speed by approximately 1.8 times compared to the A7 II.
• These components work together to allow the camera to shoot at faster speeds while also enabling its impressive ISO range of 100 - 51,200 (expandable to ISO 50 - 204,800 for still images) and an overall 1.5 stop improvement in image quality over the A7 II. The camera also features the same ~15 stops of dynamic range at low sensitivity settings found on the A7R III, that Sony says ensures outstanding overall performance at all settings and in all shooting conditions, with significant advancements in accurate color reproductions of skin tones and the vibrant natural colors.
• The A7 III can also output 14 bit RAW format even in silent and continuous shooting modes, and is equipped with a 5-axis optical image stabilization system that results in a 5.0-stop shutter speed advantage.

Bringing A9-like autofocus performance to the table

• The A7 III brings many of the video features found in the A7R III to the table, including 4K UHD (3840 x 2160 pixels) video recording across the full width of the full-frame image sensor, using a full pixel readout without pixel binning to collect about 2.4 times the amount of data required for 4K movies, oversampling it to produce high quality 4K footage.
• An HLG (Hybrid Log-Gamma) picture profile is available on the A7 III as well, which supports an Instant HDR workflow, allowing HDR (HLG) compatible TV's to playback 4K HDR imagery.
• Further, both S-Log2 and S-Log3 are available for increased color grading flexibility, as well as Zebra functionality, Gamma Display assist and proxy recording. The camera can also record Full HD at 120 fps at up to 100 Mbps, allowing footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD resolution with AF tracking.

• Sony's newest full-frame camera is equipped with a variety of enhanced capabilities that were first implemented in the A9 and then again in the A7R III. These include dual media slots, with support in one slot for UHS-II type SD memory cards (the second slot supports UHS-I SD or Memory Stick PRO Duo cards, and in cases of dual writing, top write speeds are limited to the slowest card). You also have a variety of options for storing content in each of the cards, including separate JPEG / RAW recording, separate still image / movie recording, relay recording and more.
• The A7 III is also is capable of seamlessly transferring files to a smartphone, tablet, computer or FTP server via Wi-Fi (with NFC) and now includes Bluetooth, while also offering a SuperSpeed USB (USB 3.1 Gen 1) USB Type-C terminal for increased flexibility in power supply and faster image transfer speed during tethered shooting. The camera still has a Multi Micro-B USB 2.0 port, Micro HDMI (Type D) port, 3.5mm stereo microphone jack (with power), 3.5mm stereo headphone jack, Multi Interface Hot Shoe, and an IR remote receiver.
• Battery life has been greatly extended as well -- with a CIPA rating of up to 710 shots per charge when using the LCD monitor or 610 shots using the EVF, the A7 Mark III offers the world's longest battery life of any mirrorless camera (without a battery grip). The new camera utilizes Sony's Z-series NP-FZ100 battery pack that has approximately 2.2 times the capacity of the W-series NP-FW50 battery utilized in the A7 II. This is the same battery that brought excellent battery life to both the A9 and A7R III. In-camera charging is supported and an AC/USB adapter is provided, but a dedicated battery charger is not included.

• Newly developed back-illuminated 24.2MP full-frame Exmor R CMOS sensor to capture even the finest detail in most conditions
• Approx. 15-stops of dynamic range to showcase subtle graduations from shadows to highlights
• Impressive ISO range of 100-51,200 which is expandable to 50-204,800, allowing for noise-free low-light capture
• 14-bit RAW capture even in silent and continuous shooting modes
• 5-axis 5-step in-body image stabilisation, making it possible for users to shoot handheld at lower shutter speeds, while also providing smoother video capture
• 4D Focus – The A7 Mark III Features a massive 693 phase-detection, and 425 contrast detection AF points
• With implementation of focal-plane phase-detection technology, the camera's autofocus system is approximately twice as fast as in previous models
• Like the flagship A9, the camera features enhanced AF tracking, allowing for precise focus results when shooting video, or in continuous/burst modes with moving subjects
• Utilise the touch screen to find focus in a shot thanks to the A7 Mark III's Touch Focus and Touch Pad functions. Either tap on the rear screen to find your focus, or intuitively drag the focus frame across the shot while using the viewfinder
• Shoot in a continuous burst at up to 10 frames per second with AF/AE tracking, or up to 8 frames per second burst shooting when in Live View mode
• Capture stunning 4K High Dynamic Range video (without pixel binning) and make the most of the new Hybrid Log Gamma profile for extra flexibility in post-production
• Unlike the previous A7 model, the Mark III uses the high-capacity NP-FZ100 battery, allowing users to shoot up to 710 images on one charge.

Product description

• The Nikon Z 6 is the company's midrange full-frame mirrorless camera. It features a 24.5MP BSI-CMOS sensor, a hybrid AF system with 273 points and 90% coverage and 5-axis in-body image stabilization. The rugged body is similar in design to the D750/D850 DSLRs and is fully sealed against dust and moisture. It features a 3.68M-dot electronic viewfinder and tilting 3.2", 2.1M-dot touchscreen LCD. An OLED panel on the top plate displays current shooting settings. Photos are stored on an XQD card.
• The Z 6 can shoot continuously at 12 fps with AE locked and 5.5 fps with continuous AF/AE. It can capture oversampled 4K video for maximum resolution. You can use the same features for videos as you can for stills, including 5-axis IS and the hybrid AF system (with 435 points here). The Z 6 supports focus peaking, zebra patterns, time code and 10-bit Log output over HDMI. The camera can record 8-bit video internally and externally at the same time.

Nikon Z6: features

• 24.5MP full-frame CMOS sensor
• All-new lens mount
• 5-axis in-body image stabilization

• As we've just touched on, while the Z7 has a 45.7MP resolution the Nikon Z6 features a back-illuminated 24.5MP full-frame sensor, which, while not offering quite the staggering resolving power of its sibling, delivers a pixel count that should satisfy most users. It also means the native ISO range is that bit broader, running from ISO100 to 51,200 (the Z7's native ISO range is 64-25,600); this can be expanded to 50-204,800, matching the Alpha A7 III.  
• Like the Z7, the Z6 features Nikon's new Z lens mount, with Nikon having dropped its long-established F mount for its new full-frame mirrorless cameras. The mount opening is 11mm wider than the F mount at 55mm, while the flange focal distance (the distance between the rear lens element and the sensor) is a very short 16mm.
• Nikon believes the larger design and short flange distance will enable its lens engineers to design optics that surpass current F mount designs and make the most of the full-frame sensor, allowing light to easily reach the extreme corners of the sensor to ensure even brightness across the frame. 
• Launching with the Z6 and Z7 are the first three lenses in Nikon's new S-Line range: a 24-70mm f/4 standard zoom, a 35mm f/1.8 wide-angle prime and a 50mm f/1.8 standard prime. The new mount diameter also allows for lenses with maximum apertures as fast as f/0.95, with a high-end manual-focus 58mm f/0.95 S Noct prime lens expected next year.
• For existing Nikon DSLR users who are looking to make the switch to the new mirrorless cameras, or who want to shoot with one alongside their current Nikon DSLR kit, there's a new FTZ mount adapter that will be compatible with approximately 360 Nikon lenses, 90 of which which will support the Z6's full AF speed.

24.5MP FX-Format BSI CMOS Sensor and EXPEED 6 Processor

4K UHD Video Recording

• Utilizing the sensor and processor attributes for more than just still imagery, the Z 6 is also a more-than-capable multimedia camera. Video recording is possible at UHD 4K (3840 x 2160) using either the full-frame area or a DX crop area in 30p, 25, or 24p frame rates. Full HD 1080p video recording is also supported at up to 120p for slow motion playback, and video files can be saved to the in-camera memory cards or as an uncompressed file to an optional external recorder via HDMI out.
• Advanced video functionalities have been added with the Z 6. This includes the N-Log gamma for capturing flat-looking footage that maximizes dynamic range. Other additions are the ability to output high-quality 10-bit data over HDMI and an Electronic VR function for smooth handheld shooting. Focus Peaking can be used to benefit manual focus control and a Zebra Stripes option is also available to help detect over-exposed areas within the frame. Audio recording can be handled using the built-in stereo microphone or an optional external mic can be added via the 3.5mm stereo jack for greater control over quality, and live monitoring is possible via the headphone jack.

273-Point Phase-Detect AF System

• Located on the sensor is an array of 273 phase-detect autofocus points covering 90% of the image area both vertically and horizontally. This provides fast and accurate focusing for both stills and video and with a wide coverage area, subject tracking will work out to near the edges of the frame. Hybrid AF is available for video, which will automatically switch between phase- and contrast-detect systems to provide smooth focus during shooting. Additionally, the latest NIKKOR Z lenses are optimized for silent operation.

Body Design

• Built-in to the body is a 5-axis sensor-shift Vibration Reduction mechanism for up to 5 stops of stabilization regardless of the lens used. This system also works with adapted lenses when using the optional FTZ Adapter where 3-axis stabilization is used.
• A large 3.2" 2.1m-dot LCD screen is available for bright, clear, and vivid image playback and live view shooting. The screen has a tilting design to benefit working from both high and low angles, and it is also a touchscreen for more intuitive operation, navigation, and settings control.
• A 3.6m-dot electronic finder is present for comfortable eye-level viewing. It has a high 0.80x magnification and uses NIKKOR optics to guarantee a sharp, clear image. The finder also has a Fluorine coating for easier cleaning.
• The top panel of the Z 6 is configured with a dot-matrix OLED. This low-energy display provides quick access to important camera settings.
• Configured with one XQD memory card slot, the camera will be able to quickly save images. The slot is compatible with CFexpress, enabling support for future media.
• A robust magnesium-alloy chassis is both dust- and weather-resistant to benefit working in harsh climates and inclement conditions.
• The ergonomic grip and overall form factor is shaped to benefit handling for extended periods of time and is further accentuated by an anti-slip material and a joystick for seamless settings and focus point selection.
• Built-in SnapBridge connectivity to enable seamless transfer of low-resolution imagery as well as remote shooting capabilities. BLE (Bluetooth Low Energy) and Wi-Fi enables communication between the camera and a smart device and, additionally, the mobile device can remotely trigger the shutter and display a live view image from the camera to enable working from a distance.
• Included EN-EL15b rechargeable lithium-ion battery provides approximately 310 shots per charge, and in-camera charging is supported. This camera is also compatible with EN-EL15 and EN-EL15a batteries, however do not support in-camera charging.

Specifications

• Sensor: 24.5MP full frame back-illuminated CMOS, 35.9 x 23.9mm
• Image processor: EXPEED 6
• AF points: 273-point phase detection AF, 90% coverage horizontal and vertical
• ISO range: 100 to 51,200 (exp. 50-204,800)
• Max image size: 6,048 x 4,024px
• Metering zones: N/A
• Video: 3,840 x 2,160 at 30p, 25p, 24p
• Viewfinder: EVF, 3,690k dots OLED, 100% coverage, 0.8x magnification
• Memory card: XQD
• LCD: 3.2-inch tilting touchscreen, 2,100k dots
• Max burst: 12fps (focus locked on first frame)
• Connectivity: Bluetooth, Wi-Fi
• Size: 134 x 100.5 x 67.5mm (body only)
• Weight: 675g (body only, with battery and memory card)

And if you want to grab a great camera at a great price, you're in luck. Right now, ahead of Prime Day 2019, we're staying alert for the very best deals on DSLRs as they go live. With a handful of older models making out list, and some newer ones that manufacturers might want to boost, there's every chance that some of these might drop in price on or before the main event. So stay tuned.

BEST DSLR CAMERA

While mirrorless cameras are grabbing all the headlines at the moment, DSLRs remain relevant to many users. A DSLR is, after all, still the cheapest way to get a camera with interchangeable lenses and a viewfinder (you'll find most entry-level mirrorless cameras don't have viewfinders).

At the other end of the scale, almost all professional sports, press and wildlife photographers choose full-frame DSLRs over every other camera type. Mirrorless cameras are catching up here, but a combination of excellent autofocus systems, long battery life, wide-ranging native lens options and strong accessory support give them the edge.

That said, there are some cracking mirrorless cameras out there at the moment that are taking the place of DSLRs in pro photographers' kit bags, including the Fujifilm X-T3, Olympus OM-D E-M1 II, Panasonic Lumix S1 and Sony Alpha A7R III.

In between entry-level and full-frameDSLRs are a whole range of models aimed at different users, different levels of experience and different budgets. Here's our pick of the best DSLR cameras you can buy right now.

Great value option: Nikon D7200

This old-timer is still a cracking option for enthusiasts

Sensor: APS-C CMOS | Megapixels: 24.2MP | Autofocus: 51-point AF, 15 cross-type | Screen type: 3.2-inch screen, 1,299K dots | Maximum continuous shooting speed: 6fps | Movies: 1080p | User level: Intermediate

Before we get onto our top 10 picks of the best DSLRs you can buy right now, let's take a look at this great value option. The D7200 is a prime example of an older mid-range DSLR that packs enough under its skin to maintain its relevance in today's market. Ideal for those capturing outdoors, the 24.2MP APS-C sensor lacks a low-pass filter to help it retain plenty of detail, while the 51-point AF system is adept at tracking moving subjects. You also get a tough, magnesium-alloy body that's protected against inclement weather, together with two card slots and a large LCD scree. Its age, and the launch of the D7500 that updated it (below), has allowed its price to drop to a tempting level too. Well worth a look if you don't need the very newest camera

Best DSLR cameras in 2019

1. Nikon D850

High resolution meets high speed

Sensor: Full-frame CMOS | Megapixels: 45.4MP | Autofocus: 153-point AF, 99 cross-type | Screen type: 3.2-inch tilt-angle touchscreen, 2,359,000 dots | Maximum continuous shooting speed: 7fps | Movies: 4K | User level: Expert

It's hard to think of another DSLR that wows like the D850 does. It's on the pricey side for sure, but this is justified by excellent image quality, bags of features and a rugged, weather-resistant magnesium alloy body. The 45MP sensor is one of the highest in terms of resolution in any DSLR, while the 7fps burst mode is unusually high for a camera with such a sensor. Add to that a cracking AF system, wonderful handling and great 4K video, and it's versatility should be easy to appreciate. Like the sound of the D850, but want to go mirrorless? Well, while not strictly a mirrorless version of the D850, Nikon's newer Z7 mirrorless camera shares the same 45MP resolution as the D850, but features some clever tech of its own, including an all-new lens mount.

Nikon D500 DSLR Camera